Lighting:

TWIN features a lot of narrative progression within a short timeframe, so I approached the lighting and color scripting with the goal of guiding the audience on a psychological and emotional level. The film transitions between two distinct visual worlds: the 'real world' and the heightened, stylized 'twin PSA montage world.' As the montage sequences accelerate and the stakes rise for the twins, I intentionally used color to reflect the characters' internal emotional states. This emotional palette often contrasts with the upbeat narration and energetic music score, creating a deliberate tension between what is seen and what is heard.